Xuanpin zhi men fu 玄牝之門賦: Difference between revisions
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'''Title''': | '''Title''': Rhapsody on the Gate of the Mysterious-Female. | ||
'''Other Titles''': (Add) | '''Other Titles''': (Add) | ||
'''Attribution''': | '''Attribution''': [[Yu Yan 俞琰]]. | ||
'''Date''': (Add) | '''Date''': (Add) | ||
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== Description == | == Description == | ||
== Abstracts == | == Abstracts == | ||
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==== ''Daozang tiyao'' (Ren Jiyu and Zhong Zhaopeng) ==== | ==== ''Daozang tiyao'' (Ren Jiyu and Zhong Zhaopeng) ==== | ||
不署撰人。賦後附詩名《水中金詩》。殿後為俞琰及其子仲溫《易外別傳》跋二篇。《四庫全書》所收《元學正宗》(江蘇巡撫採進本)中之《易外別傳》即由此賦與詩組成,與道藏本《易外別傳》不同。《四庫提要》謂:“蓋道流採合琬書,館訂成帙,非所手著也。”考俞琰序及是書後二跋,言《易外別傳》“發明邵子之學”,“為之圖,為之說,”“證以《參同契》,《陰符》諸書,參以伊川、橫渠諸儒之至論”,並無一字語及詩賦。而此賦與詩發揮內丹之學雖與道藏本《易外別傳》同宗,但並非直釋圖說,今別出之。
賦曰玄牝為“大丹本根”,“修鍊之根基”,因“通乎陰陽是以謂之門”。細分則上玄下牝,合則渾然一竅,乃天地交合、神氣通融之處。玄牝非心腎,非口鼻,“牝戶深居滄海之間”,“玄關遠在崑崗之上”(頁一二此乃描述內丹修鍊精氣之處,為一派之言。詩曰:“水中九還成大藥”,“凝結滿黃宮”,鍊成內丹(頁三 | |||
==== ''Zhengtong Daozang tiyao'' (Hsiao Teng-fu) ==== | ==== ''Zhengtong Daozang tiyao'' (Hsiao Teng-fu) ==== | ||
[Not available] | |||
== Quotes == | == Quotes == | ||
Revision as of 22:10, 21 October 2026
This page is in preparation.
Main Data
Title: Rhapsody on the Gate of the Mysterious-Female.
Other Titles: (Add)
Attribution: Yu Yan 俞琰.
Date: (Add)
Prefaces and Postfaces: (Add)
Description
Abstracts
Note: These abstracts derive from the Home in Mists website. The Chinese text was not checked and may contain errors.
Daozang tiyao (Ren Jiyu and Zhong Zhaopeng)
不署撰人。賦後附詩名《水中金詩》。殿後為俞琰及其子仲溫《易外別傳》跋二篇。《四庫全書》所收《元學正宗》(江蘇巡撫採進本)中之《易外別傳》即由此賦與詩組成,與道藏本《易外別傳》不同。《四庫提要》謂:“蓋道流採合琬書,館訂成帙,非所手著也。”考俞琰序及是書後二跋,言《易外別傳》“發明邵子之學”,“為之圖,為之說,”“證以《參同契》,《陰符》諸書,參以伊川、橫渠諸儒之至論”,並無一字語及詩賦。而此賦與詩發揮內丹之學雖與道藏本《易外別傳》同宗,但並非直釋圖說,今別出之。 賦曰玄牝為“大丹本根”,“修鍊之根基”,因“通乎陰陽是以謂之門”。細分則上玄下牝,合則渾然一竅,乃天地交合、神氣通融之處。玄牝非心腎,非口鼻,“牝戶深居滄海之間”,“玄關遠在崑崗之上”(頁一二此乃描述內丹修鍊精氣之處,為一派之言。詩曰:“水中九還成大藥”,“凝結滿黃宮”,鍊成內丹(頁三
Zhengtong Daozang tiyao (Hsiao Teng-fu)
[Not available]
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